The second performance in the series was presented in the Taipei International Performance Art Festiva, Taiwan. The performance consisted of two parts, an outdoor performance and a theatre performance. Both parts intended to explore the issue of national identity in the social-political contexts of both Hong Kong and Taiwan. The "Taiwan Independence" has been a heated political campaign in recent years. While fighting for international recognition of the country itself, the Taiwanese government is currently campaigning a revisionist movement including removal of its first president Chiang Kai-shek's name and likeness from the airport and other public places, just like what has happened to Hong Kong in a process of decolonization. Unlike Hong Kong being unified to be part of China, however, people in Taiwan are taking off their Chinese cultural roots and establishing themselves as Taiwanese.

The whole performance was driven by various love songs by Teresa Teng interrupted frequently by a communist patriotic song (Praising the Motherland 歌唱祖國) which is often used in the celebration of the 10th anniversary of Hong Kong's Handover. Video was shown on the television on stage with footage of Hong Kong official celebration of the 10th anniversary of the Handover inter-cut with news footage of Taiwan's recent revisionist campaign.

Surprisingly and interestingly enough, the audience was totally absorbed in my seemingly amusing yet political action. After mimicking the patriotic song in Putonghua, I tried to pick the plum blossoms from the audience but they had never resisted my action while listening to and moving with the rhythm of the sweet song by Teresa Teng. Following my "Love me, love me not" statement, I vacuumed up the flowers scattered on the floor, and again, the audience had not resisted my return of flowers to them buried in the dust and trash inside the vacuum cleaner. After all, is the so-called national identity just something imposed by the authority and can be disposable? What does it mean to be a Chinese or Taiwanese culturally, ethnically and politically? What to be kept or discarded that represent our national identity and that are connected to ourselves? The answers seem to dialectic and paradoxical...