Invited by Asia Society Hong Kong Center, I gave a talk in the film screening of Marina Abramović‘s The Artist is Present.
Read more “Film Screening: Marina Abramović: The Artist is Present”
talk, panel, conference presentation, etc
Invited by Asia Society Hong Kong Center, I gave a talk in the film screening of Marina Abramović‘s The Artist is Present.
Read more “Film Screening: Marina Abramović: The Artist is Present”
In the ICAS10, I presented a paper titled ‘From Improvisation to Transformation: Collective Connectivity in Hong Kong’s Umbrella Movement.’
Read more “The 10th International Convention of Asia Scholars (ICAS10)”
In the Performance Studies International (PSi#23) annual conference, I convened the panel Performance to the City: Hong Kong at the Overflow and presented a paper ‘In the Name of Resistance: Over-performance and/or Slactivism?’
Read more “PSi#23: Performance to the City: Hong Kong at the Overflow”
– public lecture by Clara Cheung and wen yau
31 March 2017, 7pm
Connecting Space Hong Kong
Read more “A Venture into the crossings of the arts and civil society”
In the panel, I discussed about my reflections upon what art can do to foster a stronger civil society in Hong Kong.
Invited by Zürcher Hochschule Der Künste (ZhdK) and Taipei National University of the Arts (TNUA), I presented a paper ‘More than a Fetish; More than Cemeteries: Documenting and Archiving Activism’ in the conference in Taipei.
應蘇黎世藝術大學及國立臺北藝術大學之邀,在研討會上主講「存庫作為抗爭攻略」。
在亞洲表演學會2016年會上發表論文《自我民族誌:香港社運中以諷刺模仿展演作為省思連結的抗議攻略》。
I presented a paper ‘Parody as Tactical Protest in Hong Kong’s Activism: An Auto-Ethnographic Account of Performative Critical Engagement’ at the Association for Asian Performance (AAP) Annual Conference 2016, Chicago, USA, 10-11 August 2016.
At the conference, I presented a paper titled ‘Performing Hong Kong’s Identity: From Civic Square to Occupy Movement – A Spatial Perspective on Social Activism’ which examines how new spatial experiences have been created in the Umbrella Movement and contributed to the building of public sphere in civil society and performativity of the people’s identity in the civil movements.
Read more “Designing Experience: ‘The Ballerina on the Elephant’”