performance 出演
Repeat a lie a thousand times and it becomes the truth.
– I repeat the same sentence more than a thousand times and it becomes more than truth.
Documentary of my work “Wish You Were Here” (HD, 17’10’,’ 2014) is featured in the Performance Art Video platform.
Read more “Performance Art Video: “Wish You Were Here” (2014)”
Read more “Wir sind das Volk!: The Unspoken Spell Cast on the Peaceful Revolutionaries”
Thanks for the generous support from the Goethe-Institut Hongkong, I presented a live performance at HALLE 14, Leipzig as part of the exhibition “The Ends of Freedom” on 7/11/2019, on the occasion of the 30th anniversary of the fall of Berlin Wall.
Read more “Wir sind das Volk! (homage to all peaceful revolutionaries) (performance)”
– a performance-lecture, 9/07/2019, grunt gallery, Vancouver, Canada
Read more “As the curtain fell… (homage to all peaceful revolutionaries)”
Invited by the Performance Art Network CH (PANCH), I presented a performance-lecture titled Researching the Restiveness: This is NOT a Performance; This is NOT an Ethnography in the symposium Archives of the Ephemeral. Thinking, Practicing, Interconnecting – A Debate on the Accessibility of Performance Art in Switzerland.
My work was featured in Frank Vigneron’s book Hong Kong Soft Power: Art Practices in the Special Administrative Region, 2005-2014 published by The Chinese University Press, 2018:
正所謂「香港地少人多」。有見及此，魂游深入西九靚地王，收割大批寸金尺土，並舉行一場別開生面的「西九靚地王拍賣展銷會」，推出囤積居奇旺中帶靜的珍貴地皮，更有大量跳樓清貨的搶手靚盤。有樓有高潮，一地難求！拍賣展銷會只限一日，大家定必爭先恐後，出手投取心頭好！
Land for Hong Kong: Our Home, Our Say?!? In the light of ‘land shortage’ in Hong Kong, wen yau has acquired pieces of land from the West Kowloon site which be previewed in the ‘WK Realty Expo & Auction.’ Special properties collected from the site will also be available too. Everything Must Go! Don’t miss this rare chance to bid on a piece of the most precious land in Hong Kong!
Read more “一滴兩點 之 西九靚地王（謹向所有和平革命者致敬） A Drop and Two Dots (Homage to all peaceful revolutionaries)”
文：梁嘉麗
行為藝術：以身體衝破禁忌
紋身和繩綁，是女性宣示身體主權的媒介，亦是來自外界、透過第三者加諸於自己身體的。然而，要掌握甚至運用身體作為反抗社會對女身單一、狹隘的想像，行為藝術就是最直白的表現。跨媒界藝術家魂游身材纖細，紥起馬尾就如小女孩，但在藝術界別中，她絕對不是唯唯諾諾的女孩，經常以自己的身體，表現出驚人的力量，令人反思女性身體在藝術乃至社會的角色和定位。在行為藝術家 Marina Abramovic 的電影放映前，魂游在講台上分享着自己的經驗，照片中的她，一絲不掛，在一張桌子上，移動着身體，以手臂和大腿的力量，從桌上攀到桌下然後回到桌上，身體綻放着光芒，呈現出女身的綫條和輪廓之美。作品《在桌上：向霜田誠二致敬》，是向霜田誠二的《在桌上》致敬，但重複的，卻只是那張桌子的設置，不論是概念抑或展現出來的美感，都跟「原著」大相逕庭。
– social engagement/gastronomy/
Read more “毋忘．毋諒（謹向所有和平革命者致敬）¡Ni perdón, Ni olvido! (homage to all peaceful revolutionaries)”
– performance/gastronomy, Chicago, USA, 03/06/2016
Read more “Missing (homage to all peaceful revolutionaries)”
